Herkimer Quartz, mined in upstate New York, is formed directly within cavities of the dolomite rock

Alicia Hannah Naomi finds beauty into the organic darkness of raw nature. The silent poetry that relies in amorphous objects and complex elements inspires her jewellery pieces, characterised by a sort of brut grace. The designer’s meticulous study of shapes, textures and pigments translates into precious pieces that trap and reflect the light through an intricate design game. Seeking for a clash between nature and nurture, Alicia Hannah Naomi’s creative mind travels through desolate and austere lands, absorbing their bare melancholy and sharp strength to work them in the fine art of gold smithing. The blending of these intense emotions with Alicia’s fine crafting skills is expressed in the rough-hewn surfaces of her jewellery pieces, poignantly underscored by immaculately polished accents. 

In collaboration with SOME/THINGS S/TUDIO, she produced exclusive rings that remind of industrial tools spit out an erupting volcano. According to Alicia’s highly tactile approach, the textures are burnished and blackened as if they were weathered slates, eroded by harsh winds and blazing flames. Breathtaking sublimes landscapes reflects in the rough brutalism of the jewellery’s profiles, shaped by the designer directly in the primary modeling materials of wax without the need of any sketches. Precious stones like Herkimer Diamonds and Black Sapphires enhance the pieces refined essence as well as their conceptual versatility; indeed the jewellery come with leather chains to be worn as a necklaces according to the wearers’ wishes. The unique value of each element is achieved through an entirely handmade working process that makes each piece different from the others.

The first piece in an ongoing collaboration, GRIS features an asymmetrically set Herkimer Diamond, designed to echo the natural formation of the double terminated quartz inside cavities within dolomite rock.

Alicia Hannah Naomi’s jewellery pieces for SOME/THINGS are exclusively available at SOME/THINGS CONCEPT/STORE, Paris.

The Ice Age Ring

IceAgeRing1The Ice Age Ring by Alicia Hannah Naomi

Months ago I did a post about the How To Destroy Angels song of the same name. It really moved me; I found myself often humming the tune in the studio while I was working. After some time I found myself creating this piece, and as it formed I understood conceptually exactly what had inspired it – I had not necessarily intended to make a piece as a tribute – and so this icy resin cocktail ring came to be.

Made from the same hand-cast crystal that is used in The Ablation Earrings, the stone has been treated to give off a pale, unearthly glow like glacial ice – a perfect balance against the dark, heavily textured ring band.

The Ice Age Ring is an online exclusive to

Hugh’s Ring


A dear old acquaintance recently got in touch with me about commissioning a ring; it was her long-term boyfriend’s upcoming birthday and she wanted to get him a special piece of jewellery without giving the suggestion of marriage or proposal. She liked both the Elcho Falling Ring design and the Anthracite Ring, but felt the peak on Elcho Falling was too high and jagged, but the Anthracite ring didn’t have enough dimension.

So we worked together to create this design, keeping the texture of the Anthracite Ring, but giving it a rough, rocky peak sitting slightly off-centre from the top so it didn’t look too uniform. She opted to keep the inside black and industrial-looking; so I finished it to the point just before final polish, then blackened the piece which gave the inside a rough and masculine matte finish.

I love working on commissions because it breaks up my routine; but also because creating unique pieces for people to mark special occasions is very rewarding.

It was delightful to hear that Hugh loved his gift and it fit him perfectly.

To enquire about a commission of your own, head over to

2014 Collection


It is my great pleasure to formally share with you the result of the last two years of my studies – my 2014 graduate jewellery collection.

Crafted by hand and combining precious materials with those of scientific origins, the collection is my response to the haunting beauty of dark and mountainous landscapes. Girt by blackened waters and crowned in snow, these rugged terrains are imbued with poetic desolation and natural austerity.

Taking cues from the majesty of geological, glacial and volcanic mountain structures, the works are small-scale studies of shape, texture and pigment. The collection is manufactured in Melbourne from sterling silver, leather and hand-cast resin. Due to the hand-dying process, each resin crystal mountain displays unique pigment characteristics.

There are ten pieces in the collection ranging from rings, bangles, pendants and a pair of earrings. The full collection is available to order online now at and if you’re in Melbourne will also be available to view and order from our graduate exhibition ALLEGORY, at No Vacancy Gallery in the QV until November 17th.





As mentioned in my previous post CHASING ICE, I recently found myself inspired by glaciers for a project brief I’d been given to create a pair of cufflinks to enter in the upcoming Melbourne Cufflinks Group Exhibition.

You may not think it by the way I dress but I am overwhelmed by the astonishing beauty of naturally occurring colour in nature. In fact it is probably for this very reason that I hardly wear colour anymore. Needless to say I was quite transfixed by the colour of the glaciers the research images I’d found for this project and was encouraged by my tutor to consider using colour as well as shape in my work.

It was a long developmental process, both first deciding how I would represent the glacier and then how to introduce colour. I made a silicone mould from the glacier shape I’d carved and spent weeks casting it over and over in resin trying to get the colours as authentic as possible; milky aqua with grey-streaked walls. From there I painstakingly carved and modelled two cufflink settings – similar but not identical – with a vicious rocky base for the glacier and a miniature mountain that would secure it to the cuff.

Because I had to cast the glaciers one at a time (I used slow-curing resin that took 10 hours to set) the colouring of each isn’t quite the same as the other. One has whiter peaks, the other has heavier grey streaks. If I’d have had more time I would have kept casting them until they matched, but as it is I suppose it’s an appropriately symbolic nod to the poetry of imperfection found in both naturally occurring and hand-made things.

The Melbourne Cufflinks Group Exhibition will take place between August 1st and August 17th at Lord Coconut.